SKU: 15118372540
wohnwagen markise 3m

wohnwagen markise 3m Camping Markise

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Description

wohnwagen markise 3m Camping MarkiseDeine Camper & Go Markise Diese einzigartige, sttzenlose Markise spart dir Zeit und Stress. Ankommen, parken, und keine zwei Minuten spter im Schatten chillen! Du kennst die Camper & Go Markise noch nicht? Hier gibt es alle Infos! Produktbeschreibung Was macht die Camper & Go Markise so einzigartig? Funktioniert ohne Sttzen, ohne Schnre, ohne Stress. Nie wieder ber die eigenen Heringe stolpern! Sie ist super leicht und nimmt wenig Platz im Camper weg!

Deine Camper & Go Markise

Diese einzigartige, stützenlose Markise spart dir Zeit und Stress. Ankommen, parken, und keine zwei Minuten später im Schatten chillen!

 Du kennst die Camper & Go Markise noch nicht? Hier gibt es alle Infos!

Produktbeschreibung

Was macht die Camper & Go Markise so einzigartig?

  • Funktioniert ohne Stützen, ohne Schnüre, ohne Stress. Nie wieder über die eigenen Heringe stolpern!
  • Sie ist super leicht und nimmt wenig Platz im Camper weg!
  • Abgebaut quasi unsichtbar. Du hast keinen hässlichen, schweren Kasten am Fahrzeug!
  • Sie ist aufgebaut in 90 Sekunden - Abbauen geht noch schneller!
  • 100% Schatten - klingt selbstverständlich? Hier ist es wirklich so!
  • Wasserdicht - logisch!
  • Wasser läuft einfach ab und bildet keinen schweren "Wassersack"!
  • Bei Wind und Regen kannst du ganz entspannt bleiben. Die Markise hält! Zugelassen bis max. 25km/h.
    Ist die Markise für mich geeignet?

    Grundsätzliche Voraussetzungen:

    • Dein Dachträger (falls schon vorhanden) sollte stabil genug sein.
    • In speziellen Fällen geht es auch ohne Dachträger. Zum Beispiel per Verschraubung mittels Adapter funktioniert die stützenlose Markise auch ohne Dachträger. (z.B. Adapter No. 06)
    • Bei der Installation deiner Camper & Go Markise müssen die beiden Markisenaufnahmen, von Lochmitte zu Lochmitte, im exakten Abstand zu einander installiert werden. Der Abstand entspricht deiner Markisenauswahl.
    • Werkzeug, Knowhow, oder ein Fachmann für die Installation sind selbstverständlich.

    Bitte schau dir auch unbedingt dieses Video komplett an! Darin beantworte ich fast alle Fragen zu Aufbau, Anbindung, und was sonst noch wichtig ist...
    Sollten trotzdem Unklarheiten bestehen, oder du weitere Hilfe brauchen, melde dich bei mir.
    Ich versuche sehr gern dir zu helfen, damit du auch endlich eine großartige Markise ohne Stützen bekommst!

    Was ist mit Wind?

    Die Markise hält so einiges aus, aber sie ist nicht unzerstörbar.

    Die Markise ist bis 25 km/h Windgeschwindigkeit zugelassen. Darüber ist die Markise abzubauen. Informiere dich über das Wetter vor Ort. Besonders an der See können spontan heftige Böen auftreten.
     
    Die Markise darf nur unter Aufsicht betrieben werden. Beim Verlassen des Zugriffsbereiches ist die Markise abzubauen.

    Schau dir einfach diese Video an.

    Wie befestige ich das?

    Grundsätzlich ist die Installation super einfach.

    Alles was du tun musst, egal wo du die Markise installieren möchtest: du musst die beiden Markisenaufnahmen parallel zueinander im richtigen Abstand befestigen. Das ist alles.
    Dafür habe ich einige Lösungen und Adapter entwickelt, die dir verschiedenste Konstruktionen ermöglicht.

    Grundsätzlicher Abstand der Markisenhalterungen:

    Egal für welche Installation du dich entscheidest. Du must den angegebenen Abstand exakt einhalten. Zu wenig Abstand, dann hängt die Markise durch. Zu viel Abstand, dann ist das ganze System zu sehr gespannt. Beides führt dazu, dass die Markise schneller verschleißt, oder nicht richtig arbeitet.
    Solltest du ein Sondermaß benötigen, lass uns telefonieren - bestimmt finden wir eine Lösung.

    Befestigung der Markisenaufnahme:

    Die Markisenaufnahme und die Stofflasche installierst du vorne mit je zwei M6 Schrauben am Camper & Go Dachträgerfuß, oder dem Adapter. Hinten wird die Markisenaufnahme mit je einer M8 Schrauben und der entsprechenden Schraublasche befestigt. Diese werden dann dann am Aluprofil, oder dem Dachträger verschraubt.

    Hier habe ich dir Video zu dem Thema gemacht: Hier klicken. Auf meinem Kanal findest du auch noch weitere Videos zum Aufbau.

    Installation an Camper & Go Dachträgernfüßen:

    Die Installation der Markisenaufnahme erfolgt vorne mit je 2x M6 Schrauben und hinten mit Schraublasche S 01.
    Für die Standard Dachträger (Anschraubpunkte, C-Schine, Airline-Schiene, Fixpunkte) benötigst du die Markisenaufnahme 2° Standard. Für die Regenrinnendachträger benötigst du die 13° Spezial-Halterung. Mehr Infos dazu findest du bei den entsprechenden Dachträgerfüßen.

     


    Instalation mittels Adapter:

    Falls du mit den Dachträgerfüßen nicht auf die exakten Maße kommst, oder an einen anderen Dachträger bauen willst, helfen dir die entsprechenden Adapter.


    Wichtig!

    Der Anbau sollte durch qualifiziertes Fachpersonal erfolgen! Im eigenen Interesse und zum Schutz anderer muss alles sicher und stabil sein! Safety First!
    Ich übernehme keinerlei Haftung für unsachgemäße Befestigung oder Eigenkonstruktionen!

    Lieferumfang | Nutzerinformationen | Herstellerangaben
    • 2x Markisenaufnahmen - Edelstahl
    • 2x Stoffbefestigungslasche - Edelstahl
    • 2x teleskopierbare Carbonstangen (CFK/GFK)
    • 1x Markisenbespannung inkl. Befestigungsmaterial
    • Schrauben - Edelstahl schwarz (4xM6, 2xM8) 
    • 2x Sicherheits-Anhänger

    Leg dir am Besten gleich die benötigten Adapter, Schraublaschen oder Dachträger in den Warenkorb.

    Technische Daten & Pflege

    Markisenaufnahme
    Material: Edelstahl
    Gewicht inkl. Anbauteile: 1990g (2Stück)

    Stangen
    Material: CFK
    Gewicht inkl. Beutel: 1260g (2 Stück)

    Markisenstoff | Befestigung
    Material Markise: Nylon/Polyester
    Wassersäule 5000mm
    Gewicht inkl. Anbauteile und Beutel: 350g (220cm) / 380g (250cm) / 430g (300cm)

    Gesamtgewicht
    ca. 3,7 kg

    Pflegehinweise

    Stoff

    • Bitte stets trocken verstauen. Wenn der Stoff naß verpackt wird kann es zu Stockflecken kommen und die Beschichtung kann Schaden nehmen. Das führt zu einer Wasserdurchlässigkeit. Also: Wenn's mal regnet und man schnell alles zusammenpackt: den Stoff einfach bei der nächst möglichen Gelegenheit nochmal auspacken und ordentlich trocknen lassen.

    Stangen

    • Die Stangen sollten stets sauber gehalten werden. Wenn die Stangen mit Staub und Dreck bedeckt sind, können diese durch Kratzer verschleißen. Die Klemmung der Teleskopauszüge kann leiden und die Stabilität kann abnehmen. Hier empfehle ich einen besonders sorgsamen Umgang und eine Reinigung mit einem sauberen Tuch nach jedem Gebrauch, um Staub und Dreck zu entfernen. Also mit einem sauberen Tuch abreiben und sie erst dann zusammenschieben.

    Allgemein

    • Reinigung mit Wasser und sauberem Tuch. Keine scharfen Reiniger, Alkohol oder Bremsenreiniger verwenden. Stoff nicht in der Waschmaschine waschen.
    Gewährleistung & Rücknahme

    Jegliche Rücknahme und Haftung ist bei diesem Produkt ausgeschlossen, sobald du irgendetwas an den gelieferten Teilen bearbeitet hast.

    Die Stangen sind vom Umtausch ausgeschlossen, sobald sie einmal in Gebrauch waren, da eine unsachgemäße Bedienung nicht ausgeschlossen werden kann.

    Hier findes du die Bedienungsanleitung: Klick!

    Hersteller nach GPSR
    Camper&Go - Mirko Frank
    Dammstr. 30
    75382 Althengstett
    www.camper-and-go.com

     

    Shipping Notes
    • Free Standard Shipping on $100+ Orders to the USA.
    • Except Preorder products are shipped in 48 hours.
    • Delivery to the USA:
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    • If time is of the essence, please consider selecting expedited delivery for faster service.
    Exchange/Return Notes
    • We offer a 30-day return/exchange service after receiving.
    • Final sale items are not eligible for returns or exchanges.
    • To process your return/exchange, please contact us at [email protected]
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    SKU: 15118372540

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    4.4 ★★★★★
    Based on 17 reviews
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    Mary L Mazzocco
    Dallas, US
    ★★★★★ 5
    Hickey and Minnie
    Format: Hardcover
    These small books fit into a toddlers hand with vibrant pictures and just enough text to hold their interest. The box is fun to carry
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on May 24, 2026
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    Tahira
    Lowell, US
    ★★★★★ 5
    Size
    Format: Hardcover
    Nice books! Bought these for my 2 year old grandson fits his little hands perfect. Cute and durable carrying case.
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    Reviewed in the United States on April 25, 2026
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    Dayna
    Birmingham, US
    ★★★★★ 5
    Nice books for a 2 year old
    Format: Hardcover
    My grandson loves these books. They’re easy to hold.
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    Reviewed in the United States on January 24, 2026
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    Charles McDade
    Dallas, US
    ★★★★★ 5
    Little books for toddlers
    Format: Hardcover
    Great and would definitely recommend
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    Reviewed in the United States on January 4, 2026
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    R. C. Walker
    Cuba, US
    ★★★★★ 5
    The jewel in modern Russia's literary crown.
    The problem with modern totalitarian regimes - the most disgusting form of government - is that they produce no art: no music, no literature, no poetry, no architecture, no visual arts. The art that does come out of such states comes from those who hate what they are and oppose them (at least passively). One of the most terrifying possibilities of the 21st Century is that the ultra-conservative/religious right wing of American politics will realize its long-held aim of a totalitarian theocracy. (Another case of the need to be careful what you wish for: the NRA's policy of making sure white supremacists have an adequate supply of Uzis may backfire. If the rightwingers establish their tyranny, one of the first things they'll do is repeal the 2nd Amendment.) The tyrannies of the 1930s and `40s were classics of the form - although reading Orwell's "1984" shows the terrifying possibility that more far-reaching totalitarianism could occur. In prewar Stalinist Russia, the alleged art of the state was "Soviet realism". Even the actual (and therefore anti-Soviet) artists of Russia occasionally felt the brunt of Stalin and his thugs - with results such as Shostakovich's intensely Stalinist (and therefore antimusical) "Hymn of the Forest". The dreary banality of all the arts under such antihuman regimes as Bolshevik Russia and Nazi Germany was almost beyond belief. Even so, flowers bloomed in the virtually sterile artistic soil of Stalin's Russia. Great musical talents such as Prokofiev and Kabalevsky - although no fans of their genocidal dictator - were able produce pretty much what they wanted because their styles tended not to offend Stalin and his cultural goon squad. Literature in the Soviet period suffered even more than music: Russia's greatest writers could publish their works, if at all, abroad. What the government allowed to be published were propagandistic (although not entirely hack) works like Shokolov's "Virgin Soil Upturned". Although the hack writers of the Stalinist period didn't lack talent, the really great writers of the Bolshevik state were obliged to work mostly sub rosa. From the 1920s to the end of his life, Mikhail Afanasyevich Bulgakov lived and worked within the Stalinist tyranny. Denied permission to emigrate and virtually denied permission to create, he lived unhappily until 1940 when he died prematurely of cancer. Paradoxically, Stalin was actually rather fond of Bulgakov, having seen and enjoyed one of his plays. Bulgakov died early enough to avoid Stalin's usual betrayal of nearly everyone he originally befriended (however marginally). The dictator died before he got around to Lavrentiy Beria and some others, but they were certainly on his list by that time. Even at that late date, more than a decade after his death, Bulgakov remained an obscure figure. His greatest work was not published in any form until 1966. This work is "Master and Margarita", one of a small handful of immortal novels produced within (and in defiance of) Soviet Russia - and possibly the greatest of them. The greatness of M&M is advanced by its universality. This is achieved by abstracting it to a large extent from the political reality of 1930s Moscow. While the novel paints a vivid picture of life in the Soviet capital, the Stalinist system is virtually invisible and its founder totally so. M&M could be taking place in the capital of any strongly centrist European state. It should be noted that many editions of M&M exist. The only one you will wish to purchase is this one (translated by Burgin and O'Connor). It is far above the others in the accuracy and felicity of its translation, not to mention its wonderful notes and analytical essay ("Afterword"). The "Master" of the novel's title is in many respects Bulgakov himself: a brilliant writer with little success at being published, whose masterpiece (a novel) seems condemned to nonpublication. The novel in this case is about Pontius Pilatus, the Procurator of Judea until mid-36 CE (the year in which Yeshua bar-Yosif ["Jesus son of Joseph"] was crucified). Some chapters of this novel appear in M&M, allowing the author to tie many elements of M&M together. Bulgakov is well versed in Gospel history, learnedly referring to Yeshua as "ha-Notsri". This term is frequently mistranslated as "the Nazarene" or "of Nazareth" (leading the author of "Matthew" of quote a probably nonexistent older text). It actually means "of the branch", from netser or nezer ("branch") - generally taken to mean a claimed descent from the very early Israeli king David. Bulgakov cleverly gives Pilatus a character that doesn't match what we know of him from Josephus. Similarly he gives us a different Yeshua and Yehudah ("Judas") than we would expect. The "Margarita" of the title, the Master's muse, is in some respects Bulgakov's 3rd wife (and also his muse), Elena Sergeyevna Shilovskaya. In terms of text devoted to her, Margarita is a far more important than the Master. The Master's story line in this work is reality mostly hers. Her name is an important clue to the novel as a whole. Marguerite (Margarita) is one of the names given to Faust's inamorata. In her passionate devotion to the Master, in her uncompromising and uncompomisable innocence, Margarita is a dramatic picture of Marguerite - but more real and compelling than the portraits of Goethe and Gounod. In a literary sense, Margarita as a shadow of Marguerite, just as M&M is a shadow of the Faust legend. It seems equally obvious that the Master must be a shadow of Faust himself. Yet the connection seems improbably remote. The Master appears as anything but Faustian, and rather than immersing himself in the world he has removed himself from it and immured himself in an asylum. Even so, his connection with Faust is palpable and compelling. Faust sought something that was not approved by the mediaeval state: knowledge (particularly of the dark arts). Bulgakov sought something deeply disapproved by the Stalinist state: truth. Indeed, no tyrant or would-be tyrant can tolerate truth. (This, I believe, explains Führer Bush's hatred of the truth and Vice-Führer Cheney's pathological fear of it.) The trinity Faust-Marguerite-Mephisopheles brings us inevitably to the protagonist (dare I say hero?) of M&M, Woland. His name, founded on the German for "where?", raises instant questions about where he is actually from and, consequently, who he actually is. That he is the "devil" of New Testament legend becomes quickly and readily apparent. He begins his visit to Moscow by going after a number of unsavory individuals. That they are of little consequence is a necessary reflection of the fact that going after people of real consequence would have landed Bulgakov in a non-mythical hell thanks to Russia's non-mythical devil (Stalin). That Woland's real mission is salvation - at least of Margarita and the Master - will seem far-fetched to the reader until it actually happens. The question is whether that mission was deliberate - for as Goethe says of his devil, "That Power I serve ... wills forever evil yet does forever good." More accurately in M&M, Woland's mission seems to be insuring that evil begets evil and good begets good. Woland in turn is part of yet another trinity: himself, Behemoth, and Korovyov. Behemoth ("the Beast", one might say) appears mostly in the form of a 6-foot upright cat. Korovyov is more human in form but just as obviously a demon. This trinity turns parts of Moscow upside-down through the use of particularly bizarre pranks. (It might be observed that the prominent presence in their company of an owl and a mirror suggests "[Till] Eulenspiegel", another famous prankster.) The merriment begins almost at once with the death of the unpleasant Rimsky, run over by a streetcar. The image of his head, rolling kabumpty-bumpty-bump down the street is hilariously macabre. Much of the novel is full of this trinity's high-jinks. I'd have to reread the novel with a mind to make notes in this regard, but I suspect that other trinities appear with some frequency in M&M. As the pranks in Moscow wind down, the story shifts gears to focus on the adventures of Margarita with Woland and his entourage. There is a grand ball that takes place in an impossibly large space. This is a reflection of Dante Alighieri's "Inferno". There is then a witch's Sabbath in a remote location. This Faustian episode is accompanied by another, a wild ride on black horses, that appears again at the end of the novel. Throughout, as earlier, it is Woland who guides and directs the activities. Finally, it is Woland, saying he does so at the request of Yeshua, who arranges the salvation of the Master and Margarita. Bulgakov - who has been standing things on their heads throughout the text - thus ultimately stands Christian mythology on its head. It is one of his greatest achievements that he uses the Master's novel and his own novel's ending to add a deep and refreshing humanity to hoary and less human New Testament myths. M&M has lent several sayings to popular Russian culture. Most important of them is the non sequitur, "manuscripts don't burn". In the novel, the Master burns his novel, just as Bulgakov burned the original ms. of M&M. The phrase comes from Woland, but magically produces the Master's ms. Bulgakov, on the other hand, re-transcribed his work from memory. The problem here is, and Bulgakov certainly knew it, that manuscripts do burn. If that were not so, we should now be able to purchase a CD of Sibelius' 8th Symphony. Still, it's amazing how many musicians and authors have left posthumous instructions that certain mss. should be burned, only to have people with a better grasp of reality refuse to burn them. Bulgakov's incomparable novel ends in a chapter of ravishing prose, of which I would like to quote a small paragraph. "'And there too," said Woland, pointing backward. `What would you do in your little basement?' The fragmented sun dimmed in the glass. `Why go back?' continued Woland in a firm and gentle voice. `O Master, thrice a romantic, wouldn't you like to stroll with your beloved under the blossoming cherry trees by day and then listen to Schubert by night? Wouldn't you like to sit over a retort, like Faust, in the hope of creating a new homunculus? Go there! Go there! There where a house and an old servant already await you, where the candles are already burning, but will soon go out because you are about to meet the dawn. Take that road, Master, that one! Farewell! It is time for me to go.'"
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on June 29, 2007

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